Jump between distant eras, from the Middle Ages to the 1940s for a contemporary heroine. The style of the next Autumn-Winter 2020 is a hymn to personal identity and women power

The Parisian fashion week has just ended and, despite the Corona Virus emergency, it has not stopped and has generated a series of reflections on the future of women&#39;s fashion. First of all, a strong desire to emphasize the power, with which every woman is invested, to decide what is sexy and what is not, depending on one&#39;s personality and identity. And if on the one hand Dior stages a rather rigorous 70&#39;s fashion in his quotes, as did Slimane from Celine , she did not give up showing lace, transparencies and lingerie in plain sight (combined with the tie as a flagship accessory), as seen also from Miu Miu , where &nbsp; incrustations of chandelier crystals continues on transparent bodices worn in combos on knitted tube skirts; or from Mugler , who takes the main concept of the fashion show from lingerie fashion, while Balenciaga chooses a key fabric for women&#39;s underwear such as lycra, for her bodycon jumpsuits with reinforced volumes on the shoulders, which are very reminiscent of the 80s. The sensual-erotic variation comes with the introduction of latex which appears in the form of vinyl leggings from Saint Laurent, which mixes them with men&#39;s double-breasted blazers and bon-ton blouses, and from Balmain, whose suit jacket with shoulder strap and ultra-tight leggings worn by Kim Kardashian on the occasion of Yeezy&#39;s gospel mass (yes this also happened during the fashion week) they have already traveled around the world. And always from lingerie, in this case more Victorian, fashion takes its cue from the corset, which if for Vivienne Westwood is iconic, for Y / Project it is a territory carried on for some seasons, with shirts held together by bustier hooks that fade in 3D trousers, which are nothing more than a 2.0 version of the crinolines of the past. From Olivier Thyeskens the bodice &nbsp; it becomes dark and gothic, created in black tulle, it is exhibited over the blouses and under the leather jackets. The journey through the ages continues with Giovanna D&#39;arco and her glittering metallic meshes by Paco Rabanne , the puffed sleeves dresses of Goya&#39;s paintings by Loewe, the Byzantine crosses as a necklace, belt or decoration by Chane l, the warriors romantic by Alexander McQueen, with dreamy evening dresses with architectural structure, with suggestive embroidery of medieval folk tales. &nbsp; The link with art also remains strong, as happens in the Stella McCartney show, which refers to the work of the painter and sculptor Ert&eacute;, and which has &nbsp; increased the use of vegan leather and cruelty and PVC free materials. Finally, an increasingly hybrid style between fin de siecle and sports, which is ridden by Louis Vuitton, with technical jackets and puffy skirts, by Kenzo under the new creative direction of Felipe Oilveira Baptista and Off-White, where imposing couture tulle dresses are worn with camouflage trousers, or from Valentino where sartorial rigor meets punk, or from Sacai , where parka-trench coats become evening dresses. Could it be for this that the master of couture Jean Paul Gaultier asked Chitose Abe, Creative Director of Sacai, to be the first guest designer of the next high fashion collection? You just have to wait.

The Fall-Winter 2020 trends from Paris Fashion Week

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